Entrance to TEFAF (2017). Photography: Loraine Bodewes
TEFAF 2018 to take place March 10-18, 2018 70 of the world’s leading dealers and specialists in the fields of fine art, antiques and design which cover over 7,000 years of art history will participate in TEFAF Maastricht 2018 (March 10-18, 2018).]]>
Source: TEFAF
Among these are 16 new exhibitors, bolstering the already unrivalled offering across all sections of the Fair. TEFAF Maastricht acts as a crucial meeting place for the best dealers in the world and is the leading commercial and academic hot spot within the international art market. The sheer breadth of its offering guarantees the attendance of both major international private and institutional collectors. TEFAF Maastricht 2018 takes place from 10-18 March 2018 at the MECC (Maastricht Exhibition and Congress Centre), Maastricht, The Netherlands.
TEFAF Maastricht looks forward to welcoming back returning exhibitors and also 16 new exhibitors for 2018. The new exhibitors are spread across the eight sections (TEFAF Ancient Art, TEFAF Antiques, TEFAF Design, TEFAF La Haute Joaillerie, TEFAF Modern, TEFAF Paintings, TEFAF Paper and TEFAF Tribal), thus strengthening the overall offering of the Fair. Of particular note is the addition of Perrotin (France), Massimo De Carlo (Italy), andMazzoleni (UK) to TEFAF Modern, and the growing appeal of TEFAF Design, which in 2018 welcomes four new exhibitors, Galerie Jousse Enterprise (France), Oscar Graf (France), Galerie Marc Heiremans (Belgium), and Thomas Fritsch – Artrium (France). These changes further demonstrate TEFAF Maastricht’s reputation as an innovative and inter-disciplinary Fair.
A restored masterpiece from the Amsterdam Museum
The Amsterdam Museum is currently restoring one of its masterpieces, The Headmen of the Longbow Civic Guard House (1653), by Bartholomeus van der Helst (c.1613 – 1670), which will form the centrepiece of the loan exhibition within TEFAF Paper at TEFAF Maastricht 2018. For the first time, visitors to the Fair will be able to admire not just the results of the restoration but also compare actual examples of 16th-century silverware, the same objects that are depicted in the 17th-century painting, a unique situation in Dutch art.
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