David Smith
Gondola II
1964
Steel, painted
278.8 x 274.3 x 45.7 cm / 109 3/4 x 108 x 18 in
‘David Smith: Form in Colour’ at Hauser & Wirth Zürich Hauser & Wirth Zürich presents ‘Form in Colour’, a solo exhibition of works by the late American sculptor, painter and draughtsman, David Smith (1906 – 1965). 12 June – 18 September 2016.]]>
Source: Hauser & Wirth Zürich
A titan of 20th-century art, Smith transformed the innovations of European modernism into a richly diverse new artistic language. Over a 33-year career he greatly expanded the notion of what sculpture could be, its relationship to space and importantly moved the site of its production, and ultimately our experience of it, from the artist’s atelier and art foundry into the realms of industry and nature. Spanning pure abstraction and poetic figuration, Smith’s deeply humanist vision has inspired generations of sculptors for over 50 years since his death.
This exhibition marks the gallery’s first presentation of the artist since beginning work with the estate in 2015, and focuses on Smith’s practice between 1958 and 1964, the important final years of his life. The late 1950s marked a dramatic expansion of his ambition and productivity and by the 1960s Smith was at the height of his creative powers, garnering international attention as the leading sculptor of his generation. Exploring the dialogue between Smith’s use of form and colour, geometry and gesture, the show brings together a selection of painted steel sculptures and spray-paint works, highlighting Smith’s objective to merge the concerns of two- and three-dimensional media.
Painting and drawing remained integral to Smith’s creative output throughout his career. ‘Drawings’, he claimed, ‘are studies for sculpture, sometimes what sculpture is, sometimes what sculpture never can be’. Around 1958, almost immediately after the invention of the aerosol spray can, Smith began his Sprays. Made simultaneously to some of his most rigorously geometric sculpture, the Sprays are often loosely gestural. Though the Sprays freed Smith’s form from the constraints of gravity, and his sculpture, for Smith the two mediums were conceptually continuous. The exhibition’s inclusion of both sculpture and painting enriches the viewer’s understanding of Smith’s oeuvre, emphasising his conviction that every facet of his visual output represents an essential element of his total artistic vision.
Related content
David Smith: Cubes and Anarchy at the LACMA (exhibition, 2011)
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