Lu Chunsheng
The first man who bought a juicer bought it not for drinking juice (film still), 2008, © the artist
Jia Aili
Good Morning, Installation view at Rivington Place, 2007-2010
286.3x200x3.6cmx3pieces
Courtesy of the Artist and Platform China, Photo: Theirry Ba
Lu Chunsheng and Jia Aili: Counterpoints at Iniva
Iniva presents new work by two contemporary Chinese artists at Rivington Place, with the European premiere of a film by Lu Chunsheng who showed in the Serpentine Gallery’s exhibition of contemporary Chinese art at Battersea Power Station. This is also the first solo exhibition in Europe, ‘Make Believe’…, by emerging artist Jia Aili. Both artists reflect on industrial progress, social corrosion and the individual’s struggle in the machine age
31 March – 15 May 2010
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Source: INIVA
Lu Chunsheng’s film, ‘The first man who bought a juicer bought it not for drinking juice’, mixes documentary and fantasy to theatrical effect. The characters in the film are both human and mechanical, and represent the consequences of the globalised era in their repetition of senseless acts. Orson Welles’ fictional account of an alien invasion in ‘The War of the Worlds’ which was mistaken for a real news item, is the impetus for the film. It illustrates the influence of technology, mass media and the power of fear.
The two protagonists in the film are a reaper machine, used for harvesting grain, which is given Frankenstein-like characteristics, and a mechanic who cares for and repairs it. The film casts a relationship between man and machine in which humanity is denigrated to serve an alien species born from its own hands.
For Jia Aili’s first solo exhibition in Europe at Rivington Place, he presents monumental new paintings, and an installation specially created for the window overlooking Rivington Street. The site-specific piece is inspired by 16th-century painter Caravaggio’s famous painting ‘The Incredulity of Saint Thomas’. In his work Jia Aili uses a muted colour palette and quick brushwork, conjuring up the disorientating emotions felt in a developing society.
Living and working in Beijing, Jia Aili narrates private moods rather than public events or modern day China. His intense and emotionally charged work reflects on the human condition, and the individual’s vulnerability in a rapidly modernising society. The artist has been selected from a new generation of artists in collaboration with Platform China Contemporary Art Institute.
Counterpoints is curated by David Thorp. Lu Chungsheng’s ‘The first man who bought a juicer bought it not for drinking juice’ is the product of a residency at Artpace San Antonio, Texas, organised by Hans Ulrich Obrist. Iniva’s staging is organised by Fountain as part of a wider touring exhibition of the film in Europe and South East Asia conceived, curated and produced by Fountain. Film commissioned by Artpace San Antonio and supported by ShanghART Gallery, China.
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