A view of Chromo-interference Environment in Carlos Cruz-Diez. The Embodied Experience of Color, Miami Art Museum, 2010; © Atelier Cruz-Diez, Paris.
Carlos Cruz-Diez, Cromosaturación [Chromosaturation], 1965/2004), three chromo-cubicles (fluorescent light with blue, red, and green filters), the MFAH, gift of the Cruz-Diez Foundation at the Museum of Fine Arts, Houston. © 2010 Carlos Cruz-Diez / Artists Rights Society (ARS), New York / ADAGP, Paris
Carlos Cruz-Diez: ‘Color in Space and Time’ at MFAH Carlos Cruz-Diez: “Color in Space and Time” features more than 150 works from the artist’s wide-ranging career, culled from the Cruz-Diez Foundation collection at the MFAH, and major private and public collections around the world
February 6 to July 4, 2011
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Source: MFAH (MUseum of Fine Arts, Houston)
For more than five decades Carlos Cruz-Diez (b. 1923) has intensively experimented with the origins and optics of color. His wide-ranging body of work includes unconventional color structures, light environments, street interventions, architectural integration projects and experimental works that engage the response of the human eye while insisting on the participatory nature of color. The Museum of Fine Arts, Houston, and the Cruz-Diez Foundation, Houston, are organizing the first large-scale retrospective of this pioneering Franco-Venezuelan artist. Carlos Cruz-Diez: Color in Space and Time will feature more than 150 works created from the 1940s to today, including paintings, silk-screen prints and innovative chromatic structures; room-size chromatic environments, architectural models and videos; and a virtual re-creation of the artist’s studio. The exhibition will introduce international audiences to Cruz-Diez’s extensive production and will place his theoretical and artistic contributions to 20th-century Modernism in a broader context than they have traditionally been seen.
The starting point for Cruz-Diez’s chromatic investigations is the unstable nature of color. In his view, color is not a pigment on a solid surface but a ‘situation’ that results from the projection of light on objects and the way this light is processed by the human eye. Insofar as color depends on the movement of the viewer in front of the work, it entails a participatory and interactive experience in space and time. The artist’s task is to induce ‘situations’ and to stimulate the dialogue between the stable and the unstable nature of color on a variety of supports by means of multiple strategies and unconventional materials that included cardboard, aluminum, polished stainless steel and acrylic paint
Cruz-Diez’s work combines color theory, science, kinetics, mechanical engineering and the painter’s craft and defies easy categorization. In order to realize his artistic vision, particularly with regard to the innovative Physichromies series, the artist adapted or invented his own tools and machines. And he has involved his family and a large corps of assistants in the enterprise, with guild-style studios in Paris, Panama, and Caracas. The works on view in Carlos Cruz-Diez: Color in Space and Time will be culled from the Cruz-Diez Foundation Collection at the MFAH and the Atelier Cruz-Diez in Paris and Panama; as well as public and private collections in the United States, Venezuela, France, England, Germany, Italy, and Spain.
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