1950s
gelatin silver print
image: 7.8 x 11.3 cm (3 1/16 x 4 7/16); sheet: 9.1 x 12.8 cm (3 9/16 x 5; 1/16)
Collection of Robert E. Jackson
Amateur Photography to be Spotlighted at National Gallery of Art in the Art of the American Snapshot, 1888-1978: from the Collection of Robert E. Jackson
on View October 7 through December 31, 2007
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Washington, DC – The range and creativity of amateur photography in the United States is revealed in approximately 200 anonymous works in the exhibition The Art of the American Snapshot, 1888-1978: From the Collection of Robert E. Jackson. It is the first major exhibition, accompanied by a scholarly catalogue, to examine the evolution of snapshot imagery in America. The show begins with the invention of the Kodak camera in 1888 and extends through the 1970s, tracing a rich vocabulary of shared subjects, approaches, and styles.
The exhibition will be on view at the National Gallery of Art, October 7 through December 31, 2007, in the Gallery’s West Building photography galleries and will travel to the Amon Carter Museum, Fort Worth, TX, February 16 through April 27, 2008.
“In the years since 1888, when George Eastman and others made it possible for anyone to make a photograph, billions of snapshots have been made in this country alone,” said Earl A. Powell III, director, National Gallery of Art. “This exhibition and catalogue celebrate the remarkable creativity of American amateur photographers and provide fascinating insights into American life in the last century.”
In 1888, when Eastman introduced the Kodak camera and roll film, he revolutionized the way Americans represented themselves and marked life events. Adopting the slogan, “You press the button, we do the rest,” the Kodak was portable, fairly inexpensive, and easy to use, allowing the camera to capture abundant images of everyday life. At the dawn of the digital age, the silver-based snapshots, which were taken over the course of almost a century since the Kodak’s invention, are fast becoming historical artifacts.
Over the past decade, Robert E. Jackson has assembled one of the foremost collections of American snapshots. Captivated by the range and creativity of amateur photographs, Jackson has acquired thousands of examples that are distinguished by both their breadth and quality. Purchased at flea markets, art fairs, and online, these snapshots have become separated from their original context and stripped of their personal meaning, allowing us to examine them in new ways.
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