Openwork ivory plaque with striding sphinxAssyria, Nimrud, Fort ShalmaneserNeo-Assyrian, 9th–8th century B.C.The Metropolitan Museum of Art, Rogers Fund, 1964 (64.37.1)Image: © The Metropolitan Museum of… Read More »Assyria to Iberia at the Dawn of the Classical Age – Metropolitan Museum
Bernardo Bellotto Dresden from right bank of Elbe, 1747 132 x 236 cm © Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden Foto: Elke Estel/Hans-Peter Klut ‘The… Read More »The Secret of Dresden – From Rembrandt to Canaletto – Groninger Museum
Lara Favaretto Tutti gìu per terra (We all fall down), 2004Confetti, Industrial fans. Dimensions variableInstallation view, Sharjah Art FoundationPrivate Collection, VancouverCourtesy the artist and Galleria… Read More »Infinite Test – exhibition at the Schirn Kunsthalle Frankfurt
View of the exhibition Guggenheim UBS MAP – Impressions from” No Country: Contemporary Art for South and Southeast Asia” No Country: Contemporary Art South /… Read More »No Country: Contemporary Art for South and Southeast Asia in Singapore
Lower Part of a Rhyton: Bull’s HeadSogd (?), 6th–8th centuryClay, carved, engobe, fired© State Hermitage Museum, St Petersburg Pilgrim, Dunhuang, China, Cave 17, 9th centuryInk… Read More »Treasures from the Silk Road at the Hermitage Amsterdam
Tom Wesselmann (American, b. 1931, d. 2004), Still Life #60, 1973. Oil on canvas; 122-1/4 x 333 x 86-1/2 in. Lent by Claire Wesselmann. ©… Read More »Beyond Pop Art: A Tom Wesselmann Retrospective – Denver Art Museum
Carlo Bossoli Balaklava, 1857gouache with watercolor on paper laid down on canvassheet: 76.5 x 112.6 cm (30 1/8 x 44 5/16 in.)National Gallery of Art,… Read More »From Neoclassicism to Futurism: Italian Prints and Drawings, 1800–1925 – NGA Washington
Lygia Clark (Brazilian, 1920–1988). Planos em superfície modulada no. 2, versão 01 (Planes in modulated surface no. 2, version 1). c. 1957. Industrial paint on… Read More »Lygia Clark: The Abandonment of Art, 1948–1988 – MoMA
Andrew Wyeth: “Wind from the Sea“, 1947tempera on hardboardoverall: 47 x 70 cm (18 1/2 x 27 9/16 in.)framed: 66.4 x 89.5 x 7 cm… Read More »Andrew Wyeth: Looking Out, Looking In – National Gallery of Art, Washington
James McNeill Whistler: “Nocturne: Battersea Bridge“, 1872—1873Pastel on brown paperH x W: 18.4 x 28.1 cm (7 1/4 x 11 1/16 in)Freer Gallery of Art,Gift… Read More »An American in London: Whistler and the Thames – Smithsonian’s Arthur M. Sackler Gallery
