Mark Rothko, American (born Russia), 1903–1970
Untitled, 1948
oil on canvas; 60 1/8 x 49 7/8 inches (152,7 x 126,5 cm.)
Fondation Beyeler, Switzerland
© 1998 Kate Rothko Prizel & Christopher Rothko
Artists Rights Society (ARS), New York
Tragic and Timeless: Mark Rothko in Saint Louis ‘Tragic and Timeless: The Art of Mark Rothko’ – Saint Louis Art Museum presents a free exhibition that celebrates the diversity of nearly 30 years of artistic output from Mark Rothko, a crucial figure in the American Abstract Expressionist movement. May 24 – September 14, 2014.]]>
Source: Saint Louis Art Museum
The exhibition brings together a group of eight paintings and works on paper from the Saint Louis Art Museum and Switzerland’s Beyeler Foundation. Simon Kelly, the Saint Louis Art Museum’s curator of modern and contemporary art, is curating the exhibition.
The exhibition includes early Surrealist imagery by Rothko while “Untitled, 1948” is emblematic of the artist’s abstractions, known as “multiforms”. Painted in a range of blue, yellow, orange and white shapes against a salmon-colored background, this work’s importance is heightened since it is the last image that Rothko signed on the front of the canvas. The artist famously affirmed that his paintings should be “tragic and timeless” – an observation that inspired the exhibition title.
From around 1950, Rothko arrived at his signature style of luminous rectangular shapes hovering in space. The Saint Louis Art Museum’s richly colored “Red, Orange, Orange on Red” represents a central area of tangerine orange bounded at the bottom by an area of acidic orange and at the top by a line of red. It will now be complemented by “Blue and Gray”, a picture with two rectangular forms, one in velvety blue and the other in a gray that hovers like mist, and the luminous “Untitled (Red-Brown, Black, Green, Red)”. These three paintings, all dating from 1962, showcases the intensity of Rothko’s exploration of color.
Rothko’s later work showed an increasing interest in darker, more solemn tones, perhaps reflecting his intimations of his own mortality. “Untitled (Plum and Dark Brown)”, 1964, represents a sharp-edged rectangular field of black-brown and is complemented by two late 1969 acrylics from the Saint Louis Art Museum.
Related content
Restored Rothko returns to Tate Modern (news, May 2014)
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