The project, organized by Dulwich Picture Gallery in co-operation with the Adam Mickiewicz Institute and supported by the Polish Cultural Institute in London, will be part of a government initiative POLSKA!YEAR in the UK in 2009-10. Dulwich’s remarkable links with Poland have never been forgotten; although the commission from King Stanislaw never came to fruition, to many Poles in this country the Gallery remains a place of special significance. This project gives us an opportunity both to celebrate our historic links and forge new ones.
The Polish Connection at the Dulwich Picture Gallery
16 June – 27 September 2009
In 1790 the last King of Poland, Stanislaw Augustus Poniatowski, commissioned two art dealers, who later became theFounders of Dulwich Picture Gallery, to buy a collection of paintings as Poland’s national collection. The King was forced toabdicate before he had paid for the pictures and five years later, much altered and enlarged, the collection finally came toDulwich instead of Poland
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King Stanislaw Augustus’s idea to start a Polish national collection is now the inspiration for a major work by AntoniMalinowski, the distinguished London-based Polish artist, linking Dulwich Picture Gallery and Warsaw’s Royal Castle.Malinowski’s work is a meditation on light, colour, painting and the enduring significance of ephemeral gestures. Born in1955 in Poland, he moved to London in 1980. Since living in Britain his work has been shown at Camden Arts Centre, KettlesYard, Gimpel Fils as well as other European galleries. His major public work is the famous Vermilion Wall at the Royal CourtTheatre. His work is in many collections including The Arts Council, The British Council and Tate.
Five most illustrious state portraits of King Stanislaw Augustus are being lent by the Royal Castle and the National Museumin Warsaw. These are works by Marcello Bacciarelli, the Polish King’s court painter and Johan Baptist von Lampi the Elder,an exquisite portrait painter. The full-length Portrait of Stanislaw Augustus in Coronation Dress is the focal point of the MarbleRoom of the Royal Castle in Warsaw. The King himself considered that of all his portraits this one offered the most accuratelikeness.
The exhibition will be in two parts, in Warsaw and London. At Dulwich one part of the installation will be outside and theother inside the building. Outside, visitors will be greeted by a large external painting, filling the blind niche on the left sideof the Gallery’s facade. A strong red shape – a fragment of an arch – is to underpin its composition. This alludes to thetriumphal arches built to greet crowned heads visiting foreign lands. The painting will optically ‘open’ the niche.
Inside the gallery, directly on the other side of that wall (as if through the niche) there will be an installation. Malinowski willcreate a linear wall drawing and apply colour directly onto the walls. The work will interact with truly spectacular stateportraits of King Stanislaw Augustus which will be hung in the same space – linking past with present.
For the opening of the exhibition at Dulwich a dance performance relating to the work will be performed.Meanwhile, in Warsaw, Malinowski will be making a linear drawing installation – a continuation of the lines that begin atDulwich.
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