Hockney - Pool with Two Figures

David Hockney: “Portrait of an Artist (Pool with Two Figures)” 1971. Private Collection. © David Hockney

Major retrospective of David Hockney at Tate Britain

Tate Britain presents the world’s most extensive retrospective of the work of David Hockney, one of the most successful and recognisable artists of our time. 9 February – 29 May 2017.

Source: Tate Britain

David Hockney (b.1937) is unique in British art for the extent of his popular appeal. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s work to date. Presented as a chronological overview, it will tracehis development from the moment of his prodigious appearance on the public stage as a student in 1961, through to his iconic works of the 1960s and 1970s, and on to his recent success at the Royal Academy and beyond.

The exhibition will show Hockney as an intelligent and profound interrogator of the essence of art. Over six decades he has questioned the nature of pictures and picture-making and challenged their conventions. His art is one of the great landmarks of post-modernism, using parody and self-reflection, and playing with representation and artifice. The exhibition will review early works such as the “Love” paintings made in 1960 and 1961, with which he subverted the language of abstract expressionism into homoerotic autobiography. The witty and brilliant invention of Hockney’s first two decades of work will be explored, including his portraits of family, friends and himself, for example “Self Portrait with Blue Guitar” 1977, as well as his iconic images of Los Angeles swimming pools. It will include Hockney’s celebrated Yorkshire landscapes of the 2000s and work made since his return to California in 2013.

Hockney is an artist who has frequently changed his style and ways of working, embracing new technologies as he goes. For the first time this exhibition will demonstrate how the roots of each new direction lay in the work that came before. For example, his radical ‘joiner’ assemblages of photographs, such as the famous “Pearlblossom Highway” 1986, informed the paintings of his Hollywood home and the Californian landscapes that he made then and after; and his abstract works of the 1990s influenced his perception of the Yorkshire Wolds and the Grand Canyon.

David Hockney said: ‘It has been a pleasure to revisit works I made decades ago, including some of my earliest paintings. Many of them seem like old friends to me now. We’re looking back over a lifetime with this exhibition, and I hope, like me, people will enjoy seeing how the roots of my new and recent work can be seen in the developments over the years.’

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