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‘Goya: The Portraits’ at the National Gallery of London

Francisco de Goya, 'The Duchess of Alba', 1797

Francisco de Goya, ‘The Duchess of Alba’, 1797. On Loan from The Hispanic Society of America, New York A102 © Courtesy of The Hispanic Society of America, New York

‘Goya: The Portraits’ at the National Gallery of London The National Gallery, London, presents the first exhibition focusing solely on Goya’s work as a portraitist. 7 October 2015 – 10 January 2016.]]>

Source: The National Gallery, London

Francisco de Goya y Lucientes (1746–1828) is one of Spain’s most celebrated artists. He was an incisive social commentator, considered (even during his own lifetime) as a supremely gifted painter who took the genre of portraiture to new heights. Goya saw beyond the appearances of those who sat before him, subtly revealing their character and psychology within his portraits.

Born before Mozart and Casanova, and surviving Napoleon, Goya’s life spanned more than 80 years during which he witnessed a series of dramatic events that changed the course of European history. ‘Goya: The Portraits’ will trace the artist’s career, from his early beginnings at the court in Madrid to his appointment as First Court Painter to Charles IV, and as favourite portraitist of the Spanish aristocracy. It will explore the difficult period under Joseph Bonaparte’s rule and the accession to the throne of Ferdinand VII, before concluding with his final years of self-imposed exile in France.

This landmark exhibition will bring to Trafalgar Square more than 60 of Goya’s most outstanding portraits from both public and private collections around the world. These include works that are rarely lent, and some which have never been exhibited publicly before, having remained in possession of the descendants of the sitters. The exhibition will show the variety of media Goya used for his portraits; from life-size paintings on canvas, to the miniatures on copper and his fine black and red chalk drawings. Organised chronologically and thematically, we will for the first time be able to engage with Goya’s technical, stylistic, and psychological development as a portraitist.

From São Paulo to New York, and Mexico to Stockholm, private and institutional lenders have been outstandingly generous, including 10 exceptional loans from the Museo del Prado, Madrid. One of the stars of the show will undoubtedly be the iconic ‘Duchess of Alba’ (The Hispanic Society of America Museum & Library) (pictured), which has only once left the United States and has never travelled to Britain. Painted in 1797, this portrait of Goya’s close friend and patron shows the Duchess dressed as a ‘maja’, in a black costume and ‘mantilla’ pointing imperiously at the ground where the words ‘Solo Goya’ (‘Only Goya’) are inscribed.

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Goya – Lights and Shadows, at CaixaForum Barcelona (exhibition, 2012)

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'Goya: The Portraits' at the National Gallery of London