Tea Bowl (Chawan) with Hare's Fur Pattern, China

Tea Bowl (Chawan) with Hare's Fur Pattern, China, Southern Song dynasty, 1127–1279, Los Angeles County Museum of Art, Mr. and Mrs. Allan C. Balch Collection, photo © Museum Associates/LACMA

Chinese Ceramics at Los Angeles County Museum of Art



The Los Angeles County Museum of Art (LACMA) presents the exhibition ‘Chinese Ceramics from the Los Angeles County Museum of Art’, on view from January 24 to July 22, 2017.

Source: Los Angeles County Museum of Art

The exhibition presents 50 ceramic masterpieces with examples from the Neolithic period to the 19th century that exhibit a variety of styles and techniques, including works made of low-fired earthenware and high-fired stoneware and porcelain.

”Chinese Ceramics from the Los Angeles County Museum of Art” is divided into three sections: The first provides a survey of the technical development of Chinese ceramics, including the three basic types of clay—earthenware, stoneware, and porcelain—and decorative techniques, such as glazing. The second section focuses on some of the symbols and narratives embedded in the decoration of Chinese ceramics, including designs key to understanding Chinese cosmology, religion, history, and society. The exportation of Chinese ceramics to other parts of Asia began as early as the seventh and eighth centuries, and to Europe in the 16th century. The third section presents ceramics exported to Japan, Southeast Asia, the Near East, Europe, and the Americas between the 14th and 19th centuries.

"This is the first opportunity in over a decade to view a superb selection of LACMA’s Chinese ceramics ranging in date from the Neolithic period (c. 2500 BC) to the late Qing dynasty (1644–1911),” said exhibition curator Stephen Little, Florence and Harry Sloan Curator of Chinese Art and Department Head, Chinese & Korean Art at LACMA. “The ceramics on show include some of the first examples of Chinese art to enter LACMA’s collection in the 1920s and ’30s, presenting a chance to view some of the most important styles and techniques in Chinese ceramic history, a wide range of symbols commonly found in Chinese art, and a fine selection of ceramics designed to be exported to countries outside of China.”



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